Work

A collection of works to date:

Dissertation (Ph.D.)

Book Chapters:

Peer Reviewed Papers:

  • G. W. Young, D. Murphy, and J. Weeter, “Audio-Tactile Glove,” in Proc. of the 13th Int. Conf. on Digital Audio Effects, Maynooth, Ireland, 2013, pp. 247-251.

Digital Publications:

  • G. W. Young, (2012) “Twenty-first Century Music Technology,” in Digital Arts & Humanities: Scholarly ReflectionsJ. C. O’Sullivan Ed. [Online]: iBook and .pdf

Abstracts, Posters, Plenaries, Lectures, & Workshops:

  • G. W. Young, “Quantifying The Effects of Haptic Feedback on DMI Functionality, Usability, and User Experience,” workshop presentation at EuroHaptics 2016, Imperial College, London, UK, July 4, 2016.

  • G. W. Young, “Usability Testing of Video Game Controllers,” at the Creative Media and Game Studies Conference: Narrative, Interactivity, and Emergent Digital Practices, Dundalk Institute of Technology, Dundalk, Ireland, January 22nd, 2016.

  • G. W. Young, “Vibrotactile Feedback in Digital Musical Instrument Design,” at the IDEAS Group meeting, University College Cork, Cork, Ireland, June 12th, 2015.

  • G. W. Young, “Feeling and Hearing: Auditory Discrimination of Pure and Complex Waveforms Combined with Vibrotactile Feedback,” at the Digital Arts and Humanities Research Colloquium, University College Cork, Cork, Ireland, March 26th, 2013.
  • G. W. Young, “The AUDIO-TACTILE GLOVE: Assistive Technology for the Deaf or Hard of Hearing,” at the annual INTIME Symposium, Coventry, UK, October, 2013.
  • G. W. Young, “Haptic Feedback for Electronic and Digital Musical Interfaces,” at the IDEAS Group meeting, University College Cork, Cork, Ireland, October 25, 2013.
  • G. W. Young, “Losing Touch” and “Attention in Human Performance,” to the Digital Arts and Humanities Group and Claire Warwick, University College Cork, May 25, 2012.

Creative Digital Projects:

  • G. W. Young, S. Mannion, and S. Wentworth, “U – modified,” a fixed media installation at the Int. Conf. of Digital Research in the Humanities and Arts (DRHA), Dublin, 2015, pp. 48 – 49.
  • G. W. Young and S. Mannion, “U – modified,” performed live at the Interrogations into Music Experimentation (INTIME) Symp., Coventry University, Coventry, UK, October, 2014.
  • C.A.V.E. – Cork Audio Visual Ensemble, performance of “The Box,” directed and composed by J. Weeter and D. Foott, at the International Computer Music Conference joint with the 11th Sound and Music Computing Conf., Athens, Greece, September, 2014.
  • C.A.V.E  – Cork Audio Visual Ensemble, “POP OUT,” directed and composed by J. Weeter, at the National Sculpture Factory for the Ann. Sonic Vigil Sound Art Festival, Cork, Ireland, April, 2014.
  • C.A.V.E  – Cork Audio Visual Ensemble, performance of “The Box,” directed and composed by J. Weeter and D. FoottFUAIM Futures: Electronic Music club, at the Half Moon Theatre, Cork, Ireland, March, 2014.
  • G. W. Young and J. C. O’Sullivan, “Afternoon Walk,” fixed media performance at the Hilltown New Music Festival, Herds Lounge Listening Room, Hilltown, Ireland, 19 July, 2013.
  • G. W. Young, “9 Modules,” percussion workshop with Alex Petcu at the Department of Music, University College Cork, Cork, Ireland, February, 2013.
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