I am pleased to announce that “U – Modified” (an audiovisual collaboration with Siobhan Mannion & Sara Wentworth) will be included in this year’s DRHA conference in Dublin on Wednesday, 2nd September 2015.
You can catch U – Modified in the The Hub DCU Student Centre between 14:00 and 16:00. The original 10 minute found sounds and extended vocal techniques composition has been further refined and expanded to include visualisations reflective of the themes that were developed for the live performance at the INTIME symposium in 2014.
The proceedings for CMMR that took place in Plymouth, UK on the 16-19 June 2015 are now available to read here.
HCI Models for Digital Musical Instruments: Methodologies for Rigorous Testing of Digital Musical Instruments (p. 534)
Digital Musical Instrument Analysis: The Haptic Bowl (p.591)
There is also a brief video with highlights from the concert performances.
My paper “Vibrotactile Discrimination of Pure and Complex Waveforms.” will be included in the 12th Sound and Music Computing Conference hosted in Maynooth, Ireland. I look forward to seeing all of the delegates there and hearing what the keynotes have to say about their fields of study.
Here’s the abstract for my paper!
Here we present experimental results that investigate the application of vibrotactile stimulus of pure and complex waveforms. Our experiment measured a subject’s ability to discriminate between pure and complex waveforms based upon vibrotactile stimulus alone. Subjective same/different awareness was captured for paired combinations of sine, saw, and square waveforms at a fixed fundamental frequency of 160 Hz (f0). Each arrangement was presented non-sequentially via a gloved vibrotactile device. Audio and bone conduction stimulus were removed via headphone and tactile noise masking respectively. The results from our experiments indicate that humans possess the ability to distinguish between different waveforms via vibrotactile stimulation when presented asynchronously at f0 and that this form of interaction may be developed further to advance digital musical instrument (DMI) extra-auditory interactions in computer music.